One
thing that made me happy with the packaging was that I seem to being
up a lot in my previous coffee reviews is that it was easy to open
and is able to be resealed so that the coffee doesn't loose its
freshness. Breaking the seal on the bag, my senses were met with the
sweet floral notes of vanilla married with the rich sultry tones of
the Arabica coffee. Brewing up a pot of my new purchase, it wasn't
long before the room was filled with the fragrant aroma. As stated on
the bag as being a light roast, once the coffee was ready and poured
into my favorite cup (a glass coffee mug from Thinkgeek.com called Caffeine Mug that has
a caffeine molecule on it) I could see that it was a lovely shade of
amber. Just on color alone, it was almost as if I had just brewed up
a cup of Earl Grey or English Breakfast tea. Once cooled enough to
drink, I held the still steaming in my hands and took a sip of the
warm liquid, I found that the flavor was light and refreshing. For
those who don't like a strong tasting coffee with very little
aftertaste and no bitterness, this might be something you would like
to check out. It would be best if you're in the United States to
check out your local Walgreens to make sure that they have this
particular coffee available since supplies may be different between
locations. Unfortunately you are unable to order it online and prices
are not listed on their website for this.
Random thoughts and bits of life of a coffee loving artist
Sunday, April 28, 2013
Coffee Review: Good & Delish – Vanilla Delight
Monday, April 22, 2013
Art of Gaming - Segment Update
As of
late, my readers have noticed a lack of 'Art of Gaming' installments
to which I would like to apologize about. For those of you who are
new to following or bookmarking my humble blog, 'Art of Gaming' is
one of several segments that I do my best to keep updated with new
spotlighted information. In this case, I focus on mostly Indie games
and look at the art style(s) used instead of game play and mechanics.
I then email the developers of said games to find out what their
inspirations were. The feedback I have received from those who have
responded has been absolutely positive but here is where I hit a
roadblock. What do I mean by this? Perhaps it's due to the fact that
I'm not a journalist or some other form of press or it's the workload
of the developers I attempt to talk with which causes my inquiries to
be overlooked, but the amount of emails I get back compared to the
volume I send out is actually relatively small. I do thank every
single developer who has responded and share with them the articles I
write on their spotlighted games. It's always an honor to speak with these talented individuals and a delightful surprise when they let me know that they have taken time to read the various things I have posted.
I often
get asked by a mixture of my gamer audience and artists where I find
the games I end up writing about. With all honesty, I can say that
it's a mixture of looking at gaming sites such at Steampowered.com
and gog.com along with suggestions from friends who are more savvy on
the subject of gaming as well as watching Youtube personalities such
as John “TotalBiscuit” Bain. Like any other installment I write,
I make sure that I site where I found the information, discuss the
art, share the developer's insight on what they were striving for and
then share with my audience where they can possibly get the game to
play it themselves. There has been several times that I have pondered if I should still do the articles I have planned and just include the developer's insights if I received any but until then have my thoughts on the matter. Perhaps my readers could help me decide if this is a good idea or not.
So I
apologize if you have been waiting with held breath for the newest
update of 'Art of Gaming' but I'm currently re-emailing several
developers to see if I can get any responses along with keeping a
look out for Indie games that might spark not only my interest but
yours as well. Interested in checking out the games I've already
spotlighted? Feel free to check out those I have been able to share
thus far and their developers!
Deep
Silver & Chromatrix GmbH, published by Daedalic Entertainment
Spooky
Squid Games, Inc.
Cochroach,
Inc.
Terry
Cavanagh
Okugi
Studios
Erik
Svedäng
Colin
and Sarah Northway, Thomas Shahan
Dreampainters
Software
Stoic
Studios
Ty
Taylor & Mario Castañeda
Spaces
to Play
Friday, April 19, 2013
Collaboration with Rebecca Tripp - part 13
Having
been preoccupied with my own work and hectic schedule as of late, I
was surprised when I saw that Rebecca has messaged me once again to
let me know that she had a new video up. So soon after the last post?
This woman has been rather busy. Her note was full of enthusiasm as
always, with a joke between her and I on asking if I was able to do
another painting to go with one of her upcoming videos: “Hi, Dawn.
Here's the fuchsia art video! 60 videos are done, and only 4 to go!
Then I can finally move on to the next project, which, knowing me,
will probably be even bigger than this one. After this, there will be
only two of more videos to send you: trumpet flowers and honeysuckle.
(Unless you want to paint me a freesia) I hope you like this. It's
sweet, perky at first, and then emotional and dramatic”. Sweet and
perky to emotional and dramatic, hm? At this point I was stroking my
invisible beard as I pondered what the piece would sound like. So off
I went on my musical adventure.
Waltz of the Fuchsia is a rather delicate tune with the melody going from what
could be described as spriteful to sultry. It is as if the music went
from a child's tune and followed that person to becoming a young
adult. Perhaps not quite along the lines of Antonio Vivaldi's
(1678-1741) The Four Seasons since each season were their
own piece. Rebecca's piece actually makes me think of some of the
instrumentals from My Fair Lady (1964). This is perhaps due to the
fact that when I was listening to the piece, I found myself imagining
a young man courting a lovely lady while strolling through a flower
garden somewhere in Paris. With that mind set, it was only logical
for my mind to go to some classic movies. On a different note, while
I was wandering through videos attempting to find the right comparison to Waltz of the Fuchsia, I stumbled across a piece by Swiss composer Adrian von Ziegler titled Evening Breeze which reminds me
very much of Rebecca's pieces including the addition of the sound of
bird calls in the background. Of course the birds that he uses are
the caws of crows and ravens combined with the chirping of crickets
but within the piece it makes sense.
![]() |
"There was a Kingdom" by Dawn Star Wood |
While
looking through the beautiful pieces that she had compiled for the
video, I was amused that Rebecca had used one of my much older pieces
from 2008 titled There was a Kingdom. She did use the same piece for
her piece Waltzing Under Wisteria, which I featured in Collaborationwith Rebecca Tripp – part 9. As I had mentioned in that
installment, There was a Kingdom was part of an unfinished series I
was working on at the time where I was trying to tell a small story
through a group of different floral paintings and their titles. At
the time I realized that what I wanted to do was not where my skill
level in painting was so abandoned the project to perhaps redo
sometime in the future.
If you would like to see more from Rebecca and give her a message, here's where you can find her work:
deviantART: http://rebeccatripp.deviantart.com/
YouTube: http://www.youtube.com/user/RebeccaETripp
deviantART: http://rebeccatripp.deviantart.com/
YouTube: http://www.youtube.com/user/RebeccaETripp
Interested in finding my work? Here's were you can find and follow me:
deviantART: http://dawnstarw.deviantart.com/
Tuesday, April 16, 2013
Car Demo for Amador County Artists Society
![]() |
"Sultan's Prize" by Dawn Star Wood |
Back
in November I was sent a message by a woman named Leslie, a member of
the Amador County Artist Association, letting me know that she and
another member of the art group had seen my painting Sultan's Prize
at last year's KVIE Art Auction Preview Gala. As she describes to me
how fascinated they were of my work, I was surprised when she asks me
if I wouldn't mind speaking and doing a demonstration of my work at
one of their monthly meetings for 2013. Thinking things over, I
really wasn't sure what I should do since I have never explained to a
group of people how I paint and in all honesty public speaking has
never been one of my strengths. After nearly an entire day of
conflicted feelings and uncertainty, I emailed Leslie back and said
that I would do it with the thought in the back of my mind that I
really had nothing to loose.
After
months of email correspondence between the two of us and my
surprisingly increased work load for this year, we settled that I
would be the guest artist for the month of April. With that hurdle
jumped, I found myself having a new dilemma: What in the world was I
going as a painting? Leslie had suggested doing another peacock but I
really didn't want to do another piece of the flamboyant birds. After
bouncing ideas around, I decided on showing how I do the reflective
surfaces of vehicles. I think it was either in a moment of madness or
perhaps brilliance, I went through my folder of classic vehicle photo
references that I have on one of my hard drives and spent an hour
scrolling through each picture I had saved to it to find the right
picture. The winner? A photo titled Autobahnkurier by Dennis Matthies
of Mechanicman.deviantart.com (Germany) who is a member of a club I'm
in on dA that focuses on classic cars. According to Dennis, the photo
was taken at the Classic Gala Schwetzingenn and states:
![]() |
"Autobahnkurier" by Mechanicman |
The
Isdera Autobahnkurier 116i, at the Classic Gala Schwetzingen
The
beginnings of the project date back to the year 1984 the
Autobahnkurier was persented in 2006 and is powered by two
Mercedes-Benz V8 engines - one for each axle - from the W126-500SE.
Only
this one car were built which also uses some VW Beetle parts (doors
and roof).
The
reason why I chose it is because I had so many people the last couple
of years ask me how I paint cars. I also wanted to work on a vehicle
that wasn't blue, red, green, brown, or black to save on time.
Another attraction to this particular car is that the curves and
unique form that is has.
![]() |
"Car Demo" by Dawn Star Wood |
At
the meeting, after being introduced to the wonderfully cheerful
members of the art group, I went about doing my demonstration after
apologizing ahead of time in case I stuttered. Silently I did curse
in the back of my mind when I started because the day before I had
picked up a sheet of Hot Press paper since the art supply store near
me was out of my usual Cold Press. So why was I having such negative
things going through my mind while politely chatting and explaining
what I do? For the simple fact that I discovered that 140lb Hot Press
watercolor paper, though smooth, did not give me enough time to work
with the paint before any and all moisture was sucked into the paper
like a desert taking in a drop of rain. So here I was essentially
experimenting with a product I've never used before while attempting
to act as if everything was fine. The meeting itself went well and
though I didn't finish the painting there, I had told those who were
there that I would finish the painting at home and share it with them
via email so that they could see the end result. It took 2 days at
home to work on the painting to get it to a point that I'm satisfied
with and can say that
it's finished. Still uncertain of how I had done at the meeting, I was pleasantly surprised and grateful when I checked my mail Monday afternoon and found that the group had sent me a card thanking me for taking the time to present to them and that they had enjoyed what they had learned. So I thank the wonderful members of the Amador County Artists Society for inviting me. Art + Science + Human Nature = Music
Wandering YouTube to find some more
music to collect so that I can listen to the videos while I work, I
stumbled across something very unexpected. It was a music video by
Icelandic singer-songwriter Bjӧrk
(1965- ) for her song Mutual Core. Having never seen or heard of it
before, I decided to check it out and shocked is hardly the best way
to describe what I saw and heard.
Though in the beginning, I thought
that the video was going to be simply her standing waste deep in
sand, I found myself mesmerized by how she combined the sensuality of
dual natures (masculine/feminine) and the violent nature of how the
earth moves in such an artistic mix of images. As the video
progressed, I found myself fascinated with how the rocks that
represented tectonic plates began to change and morph before my eyes
so that the layers of sediments became a face of many colors. It is
honestly one of those videos that you share with your friends and say
“You need to take a look at this” since words themselves just
don't seem to do it justice. In a way, the video and its imagery
reminded me of the plethora of messages used in Madonna's 1994 video
Bedtime Stories.
![]() |
Screen shot from 'Mutual Core' video |
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Sunday, April 14, 2013
Collaboration with Rebecca Tripp – part 12
The
other day while checking messages, I perked up at seeing that my dear
friend Rebecca had sent me a note letting me know that she had a new
video up. In her usual cheerful manner that I have come to expect
from her, she let me know that this time she had used 3 of my
paintings for The Waltzing Dahlia. 3? I didn't even remember doing
more then maybe 1 piece that had the flower type. Curiosity peeked, I
clicked the link she provided and watched her newest creation.
The Waltzing Dahlia has an almost fanciful quality to it, similar to her
piece Foxglove Waltz which I featured in Collaboration with RebeccaTripp – part 11. There is however a difference between the two.
Waltzing Dahlia has a bit more of a sultry quality to it, starting
off the melody with a harp and slowly blending it with a piano
finish. There seems to be almost a bit of influence there from Suite No. 1 op.5 arr. For Harp and Piano. 1 Barcarole ( Yes & No) by
Russian composer and pianist Sergei Rachmaninoff (1873-1943) but with
a lighter, more spring like feel to it. Uplifting and peaceful, I
find myself picturing a young lady in a lush English garden gathering
flowers with a basket overflowing with blossoms. Of course images may
differ between listeners.
![]() |
"His Grandmother's Flower" by Dawn Star Wood |
As I
watched the video for the images, I was able to easily pick out which
ones were mine and ended up giggling over Rebecca's choices. Why, you
may ask yourselves, would I be laughing over what art she chose? It's
due to the fact that 2 out of the 3 weren't dahlia's. Noticing this
small mistake, I sent her a message to let her know and she
apologized but we both knew that it would be impossible to fix the
video. We also agreed that though they were the wrong flowers, the
pieces themselves seemed to work well with the music so decided to
leave things as they were. The first painting she used, which
ironically was also the first piece in the video, was His Grandmother's Flower which I had done back in 2010 based off of a
photo I took of my boyfriend's grandmother's flower garden when we
went to South Dakota to visit. Though personally not a huge fan of
working with the color pink, to this day I'm very proud of how the
11x14 inch painting went.
![]() |
"Pray" by Dawn Star Wood |
The
second piece turned out to be Pray which I had done way back in 2007
when I was still getting used to watercolors. The tiny painting was
based off of a piece captured by photography friend Shelly Alexander
of UrbanRural-Photo.deviantart.com (Seattle, Washington) what was
titled Just Ran Across My Mind. Now that I look at his photograph, I
have to say that I may have been wrong and that it was a dahlia but
with me doing so many water lilies as of late, I wasn't too sure if
Pray was or wasn't.
Last on
the list is certainly not a dahlia, but is actually a clover flower.
Waiting, painted in 2012, was based off of a photo by
Vividlight.deviantart.com (United States) titled Pretty Baby.
Originally done to celebrate spring, I was also taking the
opportunity to experiment with having the background textured with
salt on a wet wash. I'm still
relatively happy with the results of
the experiment and surprised that though the entire color pallet is
very much in the pastel range, I really don't mind it for this
particular piece.
![]() |
"Waiting" by Dawn Star Wood |
If you would like to see more from Rebecca and give her a message, here's where you can find her work:
deviantART: http://rebeccatripp.deviantart.com/
YouTube: http://www.youtube.com/user/RebeccaETripp
deviantART: http://rebeccatripp.deviantart.com/
YouTube: http://www.youtube.com/user/RebeccaETripp
Interested in finding my work? Here's were you can find and follow me:
deviantART: http://dawnstarw.deviantart.com/
Tuesday, April 2, 2013
Collaborations with Rebecca Tripp – part 11
![]() |
"Irish Tranquility" by Dawn Star Wood |
My April
seems to be having a good start, with some work coming in along with
my dear friend Rebecca letting me know that she had a new art music
video up. In her cheerful message, she ends up telling me “It
features your wonderful artwork! It's a summery, faerie-like tune
inspired by forests and fields and, of course, foxgloves! Enjoy!”
Now who am I to stop a young woman's enthusiasm? Chuckling to myself,
I went ahead and watched her video.
Foxglove Waltz is perhaps her most interesting piece she has done to date, not
necessarily for the artwork that she used in the video but the
composition of her music. Indeed it had a bit of a spring/summery
feel to it but the fact that for some reason the first piece of music
that came to mind was “Emperor” - Quartet in C Major by F. J. Haydn (1732-1809). The mix of melodies within the piece itself made
me almost think that there was actually 2 tunes occurring at the same
time. Even the fact that she described the music as 'faerie-like'
seems appropriate since foxgloves are often associated with
fairy-folk.
![]() |
Before (left) and After (right) |
Of my collection of art, Rebecca settled on using Irish Tranquility in her video. As I had
told my audience on both deviantART and Facebook, I had done the
painting back in 2011 as a piece for St. Patrick's Day and at the
time I was wanting to do a piece that had some native flowers of
Ireland in it. Alas at the time I could tell that there was something
wrong with the end result but just didn't know what. Revisiting the
piece, I discovered that I actually never had a dedicated light
source direction. That was problem #1. Other mistakes that I
discovered was that there was a serious lack of shading, lack of
color various and detail, and bits of colors that were actually
missing. It took a bit of time to figure out how to fix things and go
about the work. Happily in the end, even the scan came out properly
as well. Irish Tranquility is among some pieces that I have in an
album for my Facebook page I've titled Before and After where I go
and revisit older paintings of mine to see what the mistakes are and
see if I can fix them.
If you would like to see more from Rebecca and give her a message, here's where you can find her work:
deviantART: http://rebeccatripp.deviantart.com/
YouTube: http://www.youtube.com/user/RebeccaETripp
deviantART: http://rebeccatripp.deviantart.com/
YouTube: http://www.youtube.com/user/RebeccaETripp
Interested in finding my work? Here's were you can find and follow me:
deviantART: http://dawnstarw.deviantart.com/
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